In which Mr. Collins shows his whole a$$ and Morgan and Isabeau discuss what makes a whole a$$.
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In which Mr. Collins shows his whole a$$ and Morgan and Isabeau discuss what makes a whole a$$.
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In which Lizzie has a really good time at a ball until she has a really, really bad time and yr grls Morgan and Isabeau ponder why Austen doesn't have more "Economy of Language" cred that Hemingway.
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In which Lizzie becomes aware of Mr. Collins's plans for her cousin hands, but doesn't mind because there's a cool ball coming up, and Jane plants herself firmly on the fence about Darcy.
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In which Mr. Bennet reads a letter from the relative who may turn out all the Bennet ladies on their ear and Isabeau gives Morgan a rather disappointing update on British politics.
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In which Darcy does a lot more thinking than finger flexing, causing Morgan to re-think that he's such a projector screen after all. Maybe we've made him that way ourselves?
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In which Jane feels a lot better, Caroline feels a lot worse, and Darcy and Elizabeth raise eyebrows at each other.
What can we make of a repetitive chapter by a talented author? What are the key changes in Bingley between text and film and why might that be? We don't know yet, but we're excited to talk about it with you.
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